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Category: Classical

When I Come Around - Green Day - Dookie (CD, Album)

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Categories: Classical

8 Replies to “ When I Come Around - Green Day - Dookie (CD, Album) ”

  1. Dookie is Green Day’s best selling and arguably most important album. Released February 1, , the album is the band’s third studio album.
  2. May 07,  · Co-produced by Cavallo and the band themselves, Green Day’s Dookie was released on February 1, To date, the band’s Warner/Reprise debut .
  3. Aug 06,  · Green Day had been around for five years by the time they *cough* dropped ‘Dookie,’ but this is the song and video that brought them into the homes and hearts of America. Like their peers from the north in Seattle, Green Day had their share of .
  4. Green Day is an American punk rock band formed in by lead vocalist and guitarist Billie Joe Armstrong and bassist Mike Dirnt. For much of the band's career, they have been a trio with drummer Tré Cool, who replaced John Kiffmeyer in prior to the recording of the band's second studio album, Kerplunk ().
  5. When I Come Around Lyrics: Well, I heard you crying loud all the way across town / You've been searching for that someone / And it's me out on the prowl / As you sit around feeling sorry for.
  6. In the mid-Nineties, punk finally did go mainstream, with Green Day leading the resurgence and "Dookie" being the group's signature album. Five songs from the album became radio hits, helped by Billie Joe Armstrong's distinctive vocals, but there is no filler here, and the rest of "Dookie" is consistently good/5(K).
  7. Green Day couldn't have had a blockbuster without Nirvana, but Dookie wound up being nearly as revolutionary as Nevermind, sending a wave of imitators up the charts and setting the tone for the mainstream rock of the mid-'talitcompsapostreathighdeadguterconscomp.coinfo Nevermind, this was accidental success, the sound of a promising underground group suddenly hitting its stride just as they got their first professional, big-budget 10/
  8. Released in February , Green Day’s third album—and first for a major label—was like a glass of cold water in the face. First off, it was catchy. Not in an oblique, theoretical way, but in a way that was vibrant, sweet, immediate—it wanted to please. Second, it understood the special process of combustion by which angst becomes humor.